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Priyanka Chopra Jonas and Nick Jonas are getting into the fashion business together.

The couple are now partners in Perfect Moment, a UK-based luxury fashion and sportswear brand specializing in ski and surf clothing.

I recently caught up with Chopra Jonas to talk about the new venture, her work designing for the label and why she has no plans to sing with her husband anytime soon.

How did you get involved with Perfect Moment?

This is the first apparel, fashion and lifestyle company we’ve invested in. I grew up in India and I wasn’t exposed to ski culture. But I did love the mountains. My dad took us to Kashmir every summer and I filmed a lot in Switzerland, so ski culture was something that I got familiar with. However, I never tried skiing until I met my husband, who’s an avid snowboarder.

I came to the quick conclusion that I’m more an après-ski girl, rather than skiing. I gave up on the bunny slope. My husband did buy me a snowmobile so I could keep up with him.

While I was getting introduced to mountain culture, I bought a lot of clothes that were winter chic. A lot of them happened to be Perfect Moment. Last year, I was filming my new show “Citadel” in London. Nick and I met [Perfect Moment owners] Jane and Max Gottschalk and talked about our love for the brand. They talked about growing the brand and we all had an “aha” moment and decided to invest and become partners.

I imagine you get business proposals and pitches all the time. How do you decided which ones to get involved with?

For me, I really am always looking to expand my portfolio, I can’t really speak for Nick, but I’m pretty sure it’s the same. I got into investing just a few years ago and I like to diversify my portfolio. The decision really is always about being able to align with the brand and values of a brand. But it’s also a business decision: what does the trajectory of the brand’s growth look like?

Are you going to design pieces for Perfect Moment?

Doing a capsule collection or something else for the brand is something we’ve discussed.

You have been in business together, but when are we going to see you and Nick on a screen together or in a recording studio singing together?

I love working with Nick so you’ll see things happen as the years unfold. But I’ll never sing with him.

Why not? You’re also a singer.

Not like him! No chance. He’s a musical prodigy.

But you’ll act together some day?

We’re definitely developing a bunch of TV and film stuff together.Read more at:plus size formal dresses australia | formal dresses sydney

Fashion is my one true love; it’s been there for me when I felt like I had nothing else. Growing up, my love of fashion was nurtured by those around me, in particular, my mum’s family. My granny and aunties are all big fashion lovers, and they spotted that same passion in me.

My aunty was much the same – the three of us could go on all day and night about our shared love of all things feminine and beautiful (although I now realise fashion is so much more than this). As I grew up, and access to the inteet became a household staple, I spent more and more time scrolling through fashion pages.

I watched runways, pinned a million pictures on Pinterest, and made endless mood boards of my favourite sartorial looks. When it comes to fashion, there are so many aspects about it that I love, but I’m the first to admit the industry is problematic.

Behind the shiny exterior of fashion shows and clothing labels, there is toxic and dangerous rhetoric that preys on peoples’ vulnerabilities. All throughout my childhood and adolescence, I was blindly absorbing every message that the fashion industry impressed upon me.

Sometimes, the message was overt – think of those magazines in petrol stations or supermarket lines showing ‘unflattering’ images of celebrities or an article about how someone lost however many kilos to fit into a dress.

But usually, the messages were designed to be covert: it was the clothing websites that only went up to a size 12, or the fashion influencer sharing what they eat in a day. Every picture I liked or reposted, every runway I watched and every model I followed all led me to the same conclusion: that I must shrink myself in order to be truly fashionable.

As I absorbed all this fashion content, something else began bubbling under the surface. I started avoiding certain foods and would spend hours eating my dinner each night. I was always feeling anxious about eating and it was clear that something was wrong.

With hindsight (and after years of treatment), I now know that I was suffering from an eating disorder, but 12-year-old me didn’t realise there was a problem. As I grew older and became even more anxious, my tendency to manage my feelings through food was solidified.

Soon, the messages I was receiving from Instagram, Pinterest and beyond started to consume me. Food became a source of guilt, and each mouthful was eaten with a slimmer body in mind.

During my teenage years, I ran a little blog on Instagram and Blogger. It was just a tiny fashion page with schoolmates, family and online friends following me, but it was my favourite thing to do. I would take outfit pictures wherever I went and did collaborations and gifted posts with small Australian brands.

I always received lovely feedback about my outfits and my sense of style, and it felt like the one place I belonged. But no matter how much I accomplished through my blog, or how many compliments or positive messages I received, nothing could penetrate the self-hating thoughts swirling around in my head.

I had curated a perfect little world, all through an Instagram page and a blog. My life looked happy and light. It was an endless scroll of op shop finds, flat-lays and smoothie bowls (very 2014) all disguising my inner turmoil.

I never received anything but love in both my home and school environments, but I was so consumed with self-hatred that the negative thoughts about my appearance heavily outweighed the positive ones I received from those around me.

As a young adult on the other side of eating disorder recovery who now works in fashion, I have a few insights to share. Being free of these toxic behaviours is liberating, but it doesn’t mean the thoughts don’t come up.

Constant comparison is something I have to watch out for – working as an assistant in fashion, I’m often dressing models and working behind the scenes on photoshoots. Dressing the bodies I once coveted can be triggering, and intrusive thoughts and the tendency to compare do pop up, but I now have the tools to work through them.

I’ve gained resilience and now feel powerful enough to stand up to these old beliefs. The main way I do this is through practising positive self-talk and self-love. I’m not trying to make it sound easy, because it’s been a long and difficult path, with plenty of trips, stumbles and straight-up falls.

But I think I’ve leaed to lean into the discomfort because that’s where all the growth comes from. Now, I treat myself as I would anyone I love, because I finally love myself too.Read more at:formal dresses adelaide | red formal dresses

The month is February and the year is 2013. You just got home from another soul-crushing day at high school, and it's time to check tumblr. Scrolling past backstage photos of Sasha Pivovarova and scans of an NSFW editorial from French Vogue, something catches your eye: it's a GIF of Hussein Chalayan's Fall/Winter 2013 runway show.

You look closer. The moving image captures a model gliding down the runway, her face vacant in a very high fashion way. As she approaches the camera, her hand grabs at the neckline of her dress. She wrenches down, a forceful maneuver that, in any other case, would rip right through the garment.

But instead of destroying the dress, she creates a new one. The frock unfurls into an entirely new creation, a mind-bending feat of tailoring.

It was this GIF that introduced me to Chalayan's enchanting experiments with transforming fashion. The British-Turkish designer, a Central Saint Martins graduate, has been creating high-tech wearables long before the advent of WiFi and smartphones.

In 2000, he created a remote-controlled dress with panels that lifted to reveal a layer of tulle. In 2007, he upped the ante with computer-controlled dresses that seemed to shape-shift on their own accord. The same year, he debuted an LED dress that played videos on its surface. And in 2017, he partnered with Intel to create brainwave and heart-monitoring accessories that displayed visualizations of models' stress levels via tiny built-in projectors.

Chalayan's runway shows emanate a strange sort of magic that fashion today lacks. While watching footage from his past collections, everything else falls away — a transportive quality similarly present in the work of Alexander McQueen and John Galliano.

Chalayan hasn't shown at Fashion Week since the FW20 season, and recent news regarding the designer is sparse. In 2019, he joined the University of Applied Sciences Berlin as a design professor. In 2020, Shanghai's Power Station of Art hosted Hussein Chalayan: Archipelago, a retrospective of his work. And in early 2022, he collaborated with homeware purveyor Karaca on a collection of tableware.

It seems the creative has indefinitely stepped away from fashion. "The industry favors all the same people and it is really boring, from stylists to photographers to designers... It is safe to say I haven’t really ever made myself part of the 'club,'" he said in a recent interview.

It's this unwavering authenticity that unlocked the imaginations of me and countless other fashion tumblr teens. And it's the reason why, after 69 seasons, Chalayan may have retired as fashion history.Read more at:black formal dresses | formal dresses adelaide

For millions of people, getting dressed or undressed is not a complex task. However, for thousands of others, it can seem like an impossible challenge.

That’s an issue one former Vol is tackling.

This adaptive fashion line has been years in the making for Mary Cayten Brakefields.

“So there are some special aspects in our clothes that make them more accessible,” said Brakefields as she describes her first clothing line. “First, our fabrics are all stretchy. so they’ve got a great stretch and retu in them. they’re super soft and comfortable. and all of the pockets on our skirts, they have inteal, exteal access and so you can thread any of your devices through there. then they have a clip strip that you can attach to your device to keep it nice and secure inside of your pocket.”

The former Tennessee Vol has always dreamt of creating a fashion label with her mom, Stephanie. Though it wasn’t until her time at UT, that she discovered in what industry.

“Being at UT was the absolute best. and being on the swim team was absolutely incredible. Being a VOLeader was the most incredible experience I could have possibly imagined,” said Brakefields.

The experience that changed everything for Brakefields was a conversation she had with two male adaptive athletes in Ecuador during a VOLeaders trip.

“We were having lunch and they started telling me about how frustrating it was trying to get dressed in the moing. so their experience really was eye-opening wow, there is so much missing from the fashion industry and there are so many people that are not being served well by the industry. and so maybe we can change that,” said Brakefields.

Her mission became increasingly personal her sophomore year when Brakefields was diagnosed with a genetic mutation.

One day after swim training, she passed out and convulsed on the floor of the locker room. An array of ailments would follow including, concussions, and infections. For two years she was in and out of the hospital. Eventually, doctors diagnosed her with Ehlers-Danlos Syndrome and dysautonomia.

This diagnosis caused her to frequently faint and endure convulsions. She reveals that it also attacks her collagen which directly impacts all of her bodily functions and day-to-day life. It also interrupted her swimming career with the Vols.

But she didn’t let this deter her from her love of fashion and serving those with disabilities.

“I was going through all of these medical experiences at the same time that I was leaing and continually being reminded of you’re so much more than your sport, you know, you have something to offer.”

In addition to her clothing line, a big part of her label is jewelry and its easy functionality.

“We’ve got our different head options here. so we’ve got our traditional post that is the coral and then we have our little rectangle provides so that is great for if you have limited mobility or if you have a caregiver is putting on your earrings for you so much easier than trying to get the little post into a little hole so we’re trying to make accessible accessories as much as possible.”

During her time with VOLeaders they worked with people with disabilities and there she leaed the power of representation.

“It’s so important,” said Brakefields. “And just representation and different bodies and different people being shown in an industry that has historically been less representative of a lot of people. it just has so much potential for good and it’s just really exciting. and so yeah, I’m just so excited to see where the industry is going and we’re excited to help maybe shape it a little bit.”Read more at:white evening dresses | long evening dresses australia

If anyone is ready for the metaverse, and the expressive, out-of-this-world outfits virtual fashion will afford us, it’s Iris van Herpen. Over the past 15 years, the Dutch designer has carved out a niche as fashion’s most future-facing designer, redefining the olde worlde charm of couture to show how technology can and will transform the way we dress. Consider the fact that she began experimenting with 3-D printed clothing way back in 2009—and that almost all of her designs today begin life as computer models, making her uniquely placed to outfit virtual events. “All of the 3-D prints that we’re doing are digitally designed first, so all those looks are basically already ready for the metaverse,” she explained at a preview. “Couture is where my heart is. For me, technology is a tool that makes it possible to bring the craftsmanship forward.”

Looking forward has always been Van Herpen’s gift. Though this fall 2022 collection marks her 15th anniversary, she was never going to trot out a retrospective of her favorite archive pieces. “I thought about it for about three seconds,” she laughed. “And then I realized—no! I want to look forward. I’ve always done that. The collection is very future-oriented, inspired by post-humanism, by transforming identities, the metaverse, but also hyperreality, where digital reality and physical reality are becoming indistinguishable.”

Naturally, to look forward, one has to look back—to the eighth century and Ovid’s Metamorphoses in this case. “Those poems are so timeless,” said Van Herpen. “We are still facing those same questions: Who are we beyond our physical bodies? Where are we going as human beings?” Inspired predominantly by three poems, those of Daphne, Arachne and Narcissus, she designed 16 physical looks and three digital looks to be wo by avatars for her show at the Élysée Montmartre. The only snag? A last-minute outbreak of COVID-19 among members of the technical team who were set to operate mixed-reality headsets for the audience meant the digital part of the show couldn’t go ahead.

No matter. The audience was entranced initially by a skeleton sculpture by Casey Curran depicting the nymph Daphne in the center of the runway, surrounded by gold laurel leaves suspended from the ceiling, her organza spine undulating in the breeze. As for the show: Van Herpen’s intricately constructed pieces, many of which blend hand-executed couture techniques with 3-D printed panels and innovative sustainable materials, were mind-boggling to behold. The opening look, for instance, comprised a biodegradable fabric made of banana leaf blended with raw silk which formed the sinuous Grecian draping. A chocolate-brown jumpsuit that rippled as model Cindy Bruna walked was made from a 3-D printed fiber based on the shells of cocoa beans, which was combined with upcycled organza.

What will the next 15 years bring? An exhibition at Paris’s Musée des Arts Décoratifs is on the 2023 agenda. But Van Herpen is mainly excited about the prospect of “mixed reality, where the digital and physical can go together.” She continued: “I don’t believe in replacing the physical beauty that we’re creating—that’s why I want the digital looks to be an extension of the physical looks. They need the same soul, the same intricacy, the same craftsmanship.” Will her clients embrace couture 2.0? “All of my clients are basically art clients,” she smiled. “The more time people will be in the metaverse, and the more they go to openings and happenings in the metaverse, the more they will want to wear something beautiful as well. It’s still in the early phase, but it will come.”Read more at:buy formal dresses online | long formal dress

By the time Warren Lotas’ first store opened its doors in Los Angeles on a recent Saturday moing, hundreds of people had already queued up outside. Some had started camping out the night before, eager to get early access to a streetwear brand known for its namesake designer’s distinctive heavy metal-inspired, hand-painted illustrations and high-quality cotton and denim construction.

But one particular group of fans was able to skip the line all day, not because they were celebrities or influencers, but because they owned one of 4,000 non-fungible tokens (aka NFTs) Lotas and his team released at the end of 2021 under the name The Wild Bunch. The hand-drawn skeletons, loosely modeled after the types of characters found in Spaghetti Westes, depict “federally wanted individuals” outfitted with cowboy hats, camo jackets, and neon sunglasses.

Owners of the NFTs received another perk: exclusive access to the second floor of the store. There, the brand created a hangout space dubbed Greeley’s Saloon, with sofas and a pool table. “It was great to put some faces to names on discord,” tweeted one Wild Bunch member after visiting the opening and picking up five shirts from the brand, referring to the messaging platform where crypto communities congregate online.

The store space is one of a number of rewards the Warren Lotas team is working to offer its passionate NFT community. Last week, it launched a debut collection of apparel and accessories, including T-shirts and varsity jackets, only available for the Wild Bunch community to buy.

“NFTs, in this case, are like a membership card—it’s super sick to be part of that club,” said Warren Lotas’ chief operating officer, who goes by the name Sto. He estimated about 200 of The Wild Bunch NFT holders attended the store’s opening, with some traveling from as far as Boston, London, and Tokyo.

“The hype that surrounds [streetwear] drops is the same hype that surrounds NFT drops,” he added.

Sto revealed that The Wild Bunch community has grown “like wildfire” since last year’s “mint,” a term used to describe the moment when NFTs are created on a blockchain and become available to buy. “We just want to keep delivering and giving them stuff that they will know they love,” he said.

Warren Lotas’ approach is an example of a new way forward for the intersection of fashion and NFTs, prioritizing community building over splashy headlines about sky-high sale prices. Despite being a latecomer to the first digital revolution, fashion—and, in particular, luxury—embraced the metaverse as it gained more attention in recent years. Luxury houses have partnered with digital artists, gaming platforms, and crypto firms. For many, the goal is to be seen as part of a culture that is not yet mainstream, but is at the center of widespread fascination and speculation.

The more eager brands like Gucci have set up branded towns on the popular gaming platform Roblox and collaborated with digital artists to release NFT collections. Nike has set up its own virtual studio and acquired RTFKT, the innovative virtual sneaker studio with grand ambitions to remake the idea of a virtual wardrobe. Even smaller labels have gotten involved with web3. Recently, Paco Rabanne announced a NFT collection selling images of its archive through Selfridges.

Fashion and the metaverse are natural partners in many ways: crypto has become a pop culture trend in recent years, and fashion loves aligning itself with the next hot thing. NFTs are also inherently exclusive and limited in nature, appealing to the same aspirational qualities as a rare handbag or limited-edition sneakers.

“Fashion is an expression of identity or belonging or cultures or even status…same thing with NFTs,” said Krzysztof Gagacki, a crypto entrepreneur and co-founder of reBASE, who is working on a forthcoming NFT collection called CY-B3LLA with supermodel Bella Hadid.

But after an explosive growth run boosted by the pandemic that saw more than $17 billion in NFT sales in 2021, the crypto market started cooling, and then plummeting in recent months. Bitcoin’s value has plunged as several high-profile crypto firms have fallen to the brink of collapse, triggering panic among some investors. While skeptics see this as confirmation the market is little more than a scam, crypto believers see this downtu as a natural part of the evolution of a market still in its early stages of development.

Gagacki said there are advantages to launching an NFT project during a market dip: it may deter people who only care about them as a financial investment, looking to make a quick buck, and, he hopes, attract a more passionate, devoted community, like the one The Wild Bunch has been carefully cultivating this year.

Other brands are trying to follow suit and attract a different type of NFT buyer. Prada’s newest collection of NFTs are being offered, for free, to buyers of its corresponding “Time Capsule” men’s shirt.

But it is unclear what else Prada has in mind for NFT holders, and it will likely need to offer them something special if it wants to grow a community of token enthusiasts.

Sto said most of The Wild Bunch coterie has chosen to hold onto their NFTs and experience the perks of ownership rather than flip them for retus. That behavior was clear even before the recent downtu, he said.

“The big shift that I definitely see with some of the brands is that they are…taking a step back and thinking of NFTs not just as a marketing activation or a PR play, but actually as long-term projects, long-term relationships with the people that love the brand and support the brand,” said Cathy Hackl, co-founder and chief metaverse officer at Jouey, a consulting firm that helps brands with emerging technologies. “Brands that might have wanted to drop an NFT to make a lot of money, I think they might be taking a step back.”

Gagacki hopes his new project with Hadid will attract fashion devotees and fans of the model alike. Those lucky enough to procure one of the project’s 11,111 unique NFTs will then get access to real-life events and experiences with her, as well as access to subsequent NFT releases. Eventually, they will also be able to use their NFTs as playable characters in different existing metaverses.

“We’re just taking this a step further and creating a real functional community, not only a digital community,” Gagacki said. “People who buy NFTs only for the profits, for trading—I don’t think we want them.”Read more at:formal dresses | formal dresses for women

سعي النساء إلى الجمال لن يتوقف ، فسواء كان عمره 20 سنة أو 40 سنة أو 60 سنة ، فإن النساء في كل مرحلة عمرية لديهن سعي مختلف للجمال. يجب أن تُظهر الملابس الصيفية للسيدات المحبّات للجمال إحساسًا بالموضة ، وأن تتجنّب الملابس القديمة أو الرخيصة ، ولا تتخلى عن ارتداء الملابس نفسها ، حتى لو كان لديهن مظهر عادي وأجساد عادية ، يجب أيضًا تحسين جمالياتهن الشخصية. يمكنك التعلم من ملابس الموضة التالية لتجعلك أكثر روعة.

لدينا الكثير من العناصر لملابس الصيف ، تمامًا مثل هذا العنصر يبدو بسيطًا ، ولكن لا يزال بإمكانه إظهار إحساس بالموضة ، قميص أسود مع بنطال أسود واسع الساق ، هذا المظهر سهل للغاية أن يبدو نحيفًا ، يمكنك قم بالإشارة مباشرة إلى قوامك السمين قليلاً ، وإذا كان لديك قوام جيد ، يمكنك أيضًا استخدام قميص قصير لإظهار خصرك الصغير ، وهو نحيف للغاية. يمكنك أيضًا تعلم بعض الزخارف لتزيينها ، مثل الأخت الصغيرة أدناه بقبعة بيسبول وقميص أسود ، ستبدو رائعة أيضًا.

هناك العديد من القمصان التي يمكن ارتداؤها في الصيف.من السهل تعديل الشكل مع بنطال واسع الساق. يبدو أنحف وأطول ، كما أن استخدام هذا التيشيرت القصير مع بنطلون واسع الساق مخصر مرتفع يبدو هالة للغاية. من وقت لآخر ، يمكنك أيضًا التعلم من هؤلاء الأشخاص العصريين ، واستخدام مجموعة متنوعة من البنطلونات الملونة لمطابقتهم بأسلوب أجنبي أكثر.

لأولئك الذين يبحثون عن الراحة ، يمكنك أيضًا استخدام هذه الملابس الفضفاضة في كثير من الأحيان. يتم إقران تي شيرت أكبر مع بنطلون فضفاض واسع الساق. إنه بسيط ولا ينقصه الموضة. مثل هذا الأخضر سروال واسع الساق وقميص أبيض. يمكن أن تساعدنا المطابقة على تفتيح الزي بالألوان ، ويمكنها أيضًا تعديل بشرتك.

إذا كنت تريد أن تكون امرأة أنيقة ، فيجب أن يكون لديك جميع أنواع القمصان في خزانة ملابسك ، فالقمصان البيضاء كلاسيكية للغاية وعصرية للغاية وكريمة. يمكن للقمصان والتنانير البيضاء أن تعزز سحر المرأة وتبرز سحرها. إذا كنت تريد أن تبدو أصغر سنًا ، فيمكنك أيضًا استخدام تصميم خط العنق هذا ، والذي يكون أكثر حسنًا وشبابًا.

بالإضافة إلى القمصان البيضاء ، يمكنك أيضًا استخدام مجموعة متنوعة من القمصان الملونة الجميلة. على سبيل المثال ، تكون القمصان الخضراء أيضًا شديدة البياض عند ارتدائها على الجسم ، مما قد يساعدك على ضبط بشرتك. قميص أخضر مثل هذا مقترن بقميص أبيض مرتفع الجينز المخصر بسيط للغاية أيضًا ، وعصري ، كلهم ​​يرتدون ألوانًا فاتحة ، وهم مزاجيون للغاية. إلى جانب طريقة ثني زوايا الملابس لضبط التناسب ، يمكن أن يكون لديك أرجل طويلة بشكل طبيعي.

عند ارتداء قميص ، يمكنك محاولة ثني زوايا القميص. تقنية المطابقة هذه سهلة لتجعلك تبدين أنحف وأطول. يمكن أن يؤدي الجمع بين التنورة عالية الخصر والقميص القصير إلى تكوين شكل من أربعة أو ستة نقاط. بالنسبة لأولئك الأشخاص الصغار وللأخوات ذوات الأرجل القصيرة ، فإن هذا النمط أسهل في إظهار الارتفاع.

كامرأة أنيقة ، يتم استخدام جميع أنواع الفساتين لإظهار الأنوثة في الحياة اليومية. مطابقة الفساتين الطويلة أنيقة وعصرية. مثل كثير من الناس ، يستخدمون هذا الفستان النحيف الأنيق لإظهار منحنياتهم ، وهذا اللون الرومانسي يمكن أن أيضا تعديل بشرتك. تتمتع الشابة أدناه بشخصية جيدة جدًا ، وتنورة الحمالة النحيفة تكون أكثر أنوثة عند ارتدائها على جسدها.

في الوقت الحاضر ، أصبح النمط القديم أكثر شيوعًا. يوصى باستخدام هذا الفستان المنقّط بالأبيض والأسود. عناصر نقطة البولكا بالأبيض والأسود أنيقة جدًا ، وليس من السهل أن تبدو مطابقة الألوان البسيطة رائعة ، وهذا النمط الرجعي مناسب جدًا للمرأة الناضجة ، فهو لائق وكريم على الجسم ، ويمكن أن يغطي الدهون الموجودة على الساقين ويكشف عن الكاحلين النحيفين.عند المطابقة ، يمكن دمجه مع الكعب العالي لزيادة الطول وإطلالة أنحف .

لأنه الصيف ، لا يزال هناك الكثير من الأشخاص الذين يفضلون ارتداء الصنادل المنعشة. فستان متوسط ​​الطول مقترن بالصندل. هذا النوع من الملابس أيضًا أخف وزنا. مثل الفساتين التالية ، النمط بسيط ، وسيبدو رائعًا عندما يقترن بالصنادل ، فإن الإحساس بالموضة والفكر والكرم ، فإن إظهار الكاحلين والبشرة مشط القدم لن يشعر بالملل.

تنانير الحمالات شائعة في الصيف ، لكن متطلبات الجسم مرتفعة جدًا. إذا كان لديك لحم على ذراعيك ، فإنني أوصي بهذا النوع من الفساتين ذات الأكمام المنفوخة. من ناحية ، تغطي الأكمام المنفوخة الذراعين السميكين ، ومن ناحية أخرى ، هذا أيضًا لأن لها مزاجها اللطيف ، كما أنها تقلل من العمر عند ارتدائها.

في الصيف الحار ، يجب أن نستخدم بعض الألوان المنعشة لضبط بشرتنا. إذا كنت تريد أن تبدو جيدًا ، يمكنك استخدام هذه الألوان اللطيفة ، مثل الوردي الفاتح والأرجواني الفاتح ، والتي يمكن أن تستنتج سحرًا جديدًا ومكررًا وتساعدك على ضبط يمكن للأخوات ذوات البشرة البيضاء استخدام هذه الملابس الملونة لخلق شعور بالرفاهية.

الملابس الشعبية هذا الصيف ، سواء كانت قمصان أو بنطال واسع الساق أو فساتين ، ملابس تبدو بسيطة لها سحرها الخاص.يمكنك الاستفادة بشكل أكبر من هذه المنتجات العصرية في الأوقات العادية ، والاهتمام بتصميم الألوان والتفاصيل عند المطابقة. من السهل تعزيز السحر يا أخواتي جربوه بسرعة.Read more at:hot pink formal dresses | green formal dress

قامت شركة ساندالز ريزورتس بتكليف مصمم الأزياء الشهير ستان هيرمان بإعادة تصميم زي الموظفين عبر مجموعة منتجعاتها اللامعة ، كجزء من احتفالات الذكرى الأربعين للعلامة التجارية.

تكريمًا لأعضاء الفريق في قلب تجربة الضيف ، يتم الآن عرض "مجموعة الذكرى السنوية" الافتتاحية لأول مرة في أحدث منتجع للشركة ، ساندالز رويال كوراساو ، والذي تم افتتاحه في 1 يونيو 2022.

نهج منسق في منطقة البحر الكاريبي ، لمنطقة البحر الكاريبي

تم تنسيق الزي الجديد لمجموعة واسعة من الإدارات والأماكن - من فريق مواجهة العملاء في مقدمة المنزل ، بما في ذلك موظفو خدمة الجرس والخادمون ، إلى منافذ الطهي والفرق وراء الكواليس. تم دمج الألياف والمواد المعاد تدويرها المحدثة في عدة قطع ، مما يدعم التزام شركة ساندالز بالاستدامة في منطقة البحر الكاريبي.

"تم تصميم المجموعات لسرد قصة. من يوم إلى آخر ، من تسجيل الوصول إلى الشاطئ ، إنها قطع قد يتخيلها الضيوف في خزانات ملابسهم الشخصية ، "كما يقول هيرمان ، الرئيس السابق لمجلس مصممي الأزياء في أمريكا والحائز على جائزة Coty ثلاث مرات في دفة الموضة للعديد من ماركات السفر الرائدة في العالم. "لقد سعينا إلى التطور إلى ما هو أبعد من مظاهر الضيافة التقليدية لنعكس جمالية السفر الفاخرة اليوم ، تمامًا كما فعلت Sand في نهجها تجاه تطور العلامة التجارية وإبداعها."

يقول آدم ستيوارت ، الرئيس التنفيذي لمنتجعات ساندالز ، "إننا نكرم أعضاء الفريق في قلب عملياتنا بمجموعة حديثة أنيقة وحادة بقدر ما هي مريحة لمنطقة البحر الكاريبي". والأهم من ذلك ، نريدهم أن يشعروا بالفخر في تمثيل الصنادل بقدر ما نشعر به من فخر أثناء الرحلة. منذ اللحظة التي التقينا فيها بستان ، قدمناه إلى الفريق وشاهدنا سحر قدرته على تحويل أفكارهم إلى تصميمات ملموسة ، علمنا أننا وجدنا شريكًا عزيزًا عليه ".

الوجهة كوراساو

يقع المنتجع الرئيسي لتصميمات هيرمان الأولى للعلامة التجارية ، ساندالز رويال كوراساو ، داخل ملكية سانتا باربرا الخاصة المحمية ، ويوفر للضيوف خيارات فاخرة شاملة أكثر من أي وقت مضى. يتميز المنتجع بفئتين جديدتين من الأجنحة المميزة ، وهما Awa Seaside Butler Bungalows و Kurason Island Poolside Butler Bungalows ، بالإضافة إلى مسبح لا متناهي ثنائي المستوى محاط بإطلالات على المياه الإسبانية يسمى Dos Awa Pool.

"عند وصولك إلى الجزيرة ، يتم قيادتك عبر واحة رائعة ، لذلك قمنا بتزيين الجرس ، والمرحبين وأمام موظفي المنزل باللون الأزرق الفاتح ، والأزرق المائي ، والفيروز ، والظلال الرملية ، لتعكس أجواء البحر الرائعة وتعكس يقول هيرمان. "بناءً على هذا ، ستنتقل الأنماط عبر اللوحة ليلاً مع الأزرق الداكن الغني والألوان الترابية لإضافة الدفء والأناقة. سيكون هناك شعور فوري بالهدوء والترحيب عند الوصول ، بغض النظر عن الوقت من اليوم ".

مجموعة الذكرى

من المفترض أن تشعر ألوان القماش التي تم اختيارها للصنادل Royal Curaçao بأنها مغسولة بأشعة الشمس مع تلاشي ناعم يعكس المظهر الطبيعي والمتجدد لأسلوب الجزيرة. تنتشر اللمسات الأكثر حداثة في جميع أنحاء المجموعة ، مثل دبابيس "S" الفضية المصممة حسب الطلب ، والتي تمثل الصنادل ، والتي سيرتديها الخدم على قمصانهم بدلاً من ربطة عنق ، مقترنة بساحة جيب مطبوعة مميزة بألوان كوراساو الشهيرة والهندسة المعمارية الهولندية المذهلة .

كل من المطاعم ذات المستوى العالمي في الموقع لها هوية أزياء خاصة بها ، مثل Island Crimson ، اللون البارز لمطعم Butch’s Island Chop House ، المطعم الذي يحمل الاسم نفسه لمؤسس Gordon “Butch” Stewart. تشمل الإيماءات الإضافية الكشكشة على القمصان في مطعم Zuka ذي الطابع اللاتيني ؛ الستر التقليدية مع الأنابيب البحرية في اليونانية Aolos ؛ وسترات مائية في Gatsu Gatsu المستوحاة من اليابان.

سيتم الكشف عن "مجموعة الذكرى السنوية" ، التي شوهدت لأول مرة في ساندالز رويال كوراساو ، في جميع فنادق ساندالز ريزورتس إنترناشونال من خلال نهج تدريجي على مدى العامين المقبلين. يجري العمل بالفعل على وضع خطط لتصميمات جديدة تمامًا ليتم عرضها في افتتاح فندق ساندالز دونز ريفر في أوشو ريوس ، جامايكا ، في عام 2023. تأتي المجموعات الموحدة أيضًا إلى العلامة التجارية لمنتجعات Beaches الصديقة للعائلة التابعة للشركة ، مع لمسات فريدة مستوحاة من كل وجهة. أكثر في:Read more at:navy blue formal dresses | black evening dresses